Trouble Brewing: Ale, Beer, and Witchcraft

A new article on The Conversation, which seems to have gained quite a lot of traction, argues that the modern iconography of witchcraft – namely pointed hats, cauldrons, broomsticks, and cats – can be traced to the commercial practices of, and patriarchal smear campaigns against, the female ale brewers of the late medieval and early modern periods. This is not a new contention, but one that has been circulating online with increasing frequency over the last few years. It’s an appealing thesis that accurately captures the domination of household ale brewing by singlewomen, wives, and widows before the Black Death (one third of women brewed regularly or occasionally in the towns and villages of the early fourteenth century); their increasing marginalisation from the trade as it expanded, capitalised, centralised, and professionalised from the 1350s (accelerated by the arrival and assimilation of a new intoxicant, hopped beer); and the overwhelmingly pejorative cultural construction of female brewers. However, the narrative is also misleading and simplistic, and elides the more subtle and interesting ways in which witchcraft and the manufacture and retail of intoxicants were conceptually intertwined in the medieval and early modern eras.

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Workshop Report: Drugs and Drollery

It was an honour for the Wellcome Collection to join Intoxicating Spaces and a group of eminent scholars for an online workshop that took place on 21–22 January 2021 on Modes of Persuasion: Humour and the Promotion and Control of Intoxicants Past and Present. The workshop was originally suggested by Angela McShane while she was head of Research Development at Wellcome Collection. It was a good choice of subject, as the humorous treatment of stimulants and narcotics by promoters and controllers is a significant theme in the Wellcome collections. The main aim of the event was to show how playfulness, levity, satire, and wit have historically been used to inform campaigns and communications around licit and illicit drugs.

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Thinking Visually with Saartjie Baartman: Intoxicated by Difference

Published on 18 September 1810, this etching of Saartjie Baartman (1789–1815), who had recently arrived in Britain and came to be known as the Hottentot Venus, testifies to the contemporary obsession with exoticism. Born among the Khoikhoi people of southern Africa, Baartman’s life is perhaps one of the most striking examples of colonial exploitation. Subjected to Dutch domination in her childhood and adolescence, she was objectified by the British in her youth, and was dehumanised by the French for the rest of her life and beyond. Histories of her display in the freak shows of London and Paris in the course of the long eighteenth century bring into focus torturous episodes of violence and humiliation. These were justified as legitimate scientific curiosity regarding her body, based on polite standards of respectability and refinement. Standing exposed on the imperial stage, Baartman’s (mis)treatment at the hands of the metropolitan populace overstepped the premises of Enlightenment virtues of dignity and propriety that were so dearly prized. The repatriation and reburial of her remains in 2002 in her homeland were acts of restoring of the vestiges of personhood that she had been denied by the western world.

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Conflict and the Coffeehouse: Three Stories from Eighteenth-Century Amsterdam

In several Dutch books, plays, and poems written between the seventeenth and nineteenth centuries, coffeehouses are portrayed as spaces in which rational and civilised conversation took place. According to these texts, the people (more specifically, men) who visited these spaces did so to study, write, and discuss politics. This, we are told, encouraged them to be more civil and well-mannered, which in turn promoted the adoption of these qualities and behaviours across society as a whole. What we see here is the so-called ‘verburgerlijkingshypothese’ – or, in English, the ‘civilisation hypothesis’ – in all its glory. However, because these cultural processes are described in fictitious works, they don’t necessarily conform to reality ‘on the ground’. To find out what really went on in the coffeehouses of eighteenth-century Amsterdam, I did some research in the notarial records of the Amsterdam City Archive, a wide range of  judicial documents prepared by the city’s legal scribes. And that’s where it gets interesting…

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Intoxicating Pharmacies? Apothecary Shops and New Intoxicants in Amsterdam, 1600–1850

Thinking about intoxicating spaces, apothecary shops are probably not what first springs to mind. Yet, these places are very relevant in discussing the assimilation of new intoxicants into European diets. It may seem strange to us today, but they virtually all started out as medicinal drugs. For example, sugar was believed to remedy coughing and to support the stomach, kidneys, and bladder, amongst others. Similarly, tobacco could be applied for many different conditions ranging from scurvy and tetanus to epilepsy and constipation. Moreover, it could be applied to cure wounds and was believed to have a preventative effect against the plague. Opium, coffee, tea, and cocoa were used just the same as panaceas for many ailments. The opium poppy’s bulbs and their sap were famous for their ability to induce sleep and to calm children. Tea and chocolate would even arouse lust, while coffee was regarded as an anti-love elixir.

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A Matter of Measure: Tobacco in Seventeenth-Century German Satire

A German broadside published in 1658. Eight vignette etchings and a poem recount the story of tobacco’s arrival in Europe, and its ‘praiseworthy use by some German heroes/as well as the same’s real power and effect’. In the first image Native Americans, some adorned with feathered headdresses and smoking long pipes, appear to dance about with abandon.

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8 Intoxicating Objects from Nordiska Museet

A key part of the Intoxicating Spaces project is our work with schools in the UK, Germany, the Netherlands, and Sweden. Back in October, a group of 30 pupils from our Stockholm partner school Nacka Gymnasium joined our Swedish research team at Nordiska Museet, Sweden’s largest museum of cultural history, for a day among their intoxicant-related holdings. Here, the pupils share their favourite discoveries…

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Margin of Terror: Intoxicating Images and Eerie Etchings at the Bodleian Libraries

One of the key sources we’re using to reconstruct the intoxicating spaces of our four case study cities are the so-called ego documents that proliferated across our period: diaries, letters, memoirs, and travel accounts. Some of the UK’s best manuscript holdings of these sources can be found at the Bodleian Libraries in Oxford, so last week saw me on a train to the crisp and autumnal dreaming spires to work through a selection. Ensconced in the wonderful Weston Library, I started with London diaries – including that of a country parson from Oxfordshire who seems to have spent most of his time in the capital purchasing different varieties of tea from Twinings – and, having finished those, turned my attention to their excellent collection of seventeenth-, eighteenth-, and nineteenth-century correspondence. This consists of c.50,000 letters, all abstract-searchable within Early Modern Letters Online, an incredibly useful resource created by the Cultures of Knowledge project.

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Tea, Tax, and Smuggling: What Made Britain a Tea Drinking Nation?

1784 and the European tea market was in upheaval. The most lucrative part of the continental East India trade had suddenly been undermined by a radical tax reform in Britain, the so-called Commutation Act of 1784. For decades, East India companies based in France, Scandinavia, and the Low Countries brought a vast amount of tea to Europe. The tea was sold to smugglers who supplied the black market in Britain, where tea was taxed heavily, often well over 100 percent. According to some estimates in the mid-eighteenth century, more than three-quarters of all tea consumed in Britain entered the country as contraband!

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