Focusing on four European cities between c.1600 and c.1850 – Amsterdam, Hamburg, London, and Stockholm – this two-year project (2019–21) explores the impact of new intoxicants on urban public spaces, the role of urban public spaces in assimilating them into European behaviours, and the often exploitative international systems through which they were produced, trafficked, and consumed. Via our events, our online exhibition, and our work with schools, museums, and NGOs, we hope to demonstrate that understanding these processes offers a vital historical perspective on urgent contemporary questions surrounding drug use and abuse, addiction, migration, inclusion and exclusion within public spaces, and the place of intoxicating substances within everyday life.
This spooky season, while holed up in an isolated farmhouse in deepest North Yorkshire, I’ve been thinking about the connections between intoxicants and ghosts, which haven’t been fully explored in the extensive academic literatures around either topic, but which seem to be many and various.
An international conference organised and funded by the HERA research project Intoxicating Spaces: The Impact of New Intoxicants in Europe, 1600–1850, a collaboration between the University of Sheffield, the University of Oldenburg, the University of Stockholm, and Utrecht University.
In this brief vlog I discuss how our project has responded to the challenges posed by COVID-19 and lockdown, and reflect on the historical relationship between pandemic, intoxicants, and public spaces. The film was shot in a safe and socially distanced manner on Devonshire Green and Division Street in Sheffield, and at Holy Cross Old Church in Whorlton, North Yorkshire.