Focusing on four European cities between c.1600 and c.1850 – Amsterdam, Hamburg, London, and Stockholm – this two-year project (2019–21) explores the impact of new intoxicants on urban public spaces, the role of urban public spaces in assimilating them into European behaviours, and the often exploitative international systems through which they were produced, trafficked, and consumed. Via our events, our online exhibition, and our work with schools, museums, and NGOs, we hope to demonstrate that understanding these processes offers a vital historical perspective on urgent contemporary questions surrounding drug use and abuse, addiction, migration, inclusion and exclusion within public spaces, and the place of intoxicating substances within everyday life.
This month and next, The Historical Journal will be publishing a special issue dedicated to examining the relationship between ‘Intoxicants and Early Modern European Globalization’. Co-edited by me and Kathryn James, the open access volume consists of an introduction and eleven case studies unpacking the spaces, practices, and material culture that characterised the production and consumption of intoxicants in Europe, the Atlantic, and South Asia between the sixteenth and eighteenth centuries.
One ear-achingly chilly day in February 2020, forty-odd pupils from secondary schools in Oldenburg and Neu Wulmsdorf, three teachers and I descended on the German Maritime Museum (DSM) in Bremerhaven. Our mission? To explore the museum’s extensive collection of intoxicant-related historical treasures and to brainstorm ideas for an exhibition – researched and curated by students with assistance from staff at the DSM – on the history of tobacco, coffee, tea, chocolate, and sugar in port cities of the early modern period.
A new article on The Conversation, which seems to have gained quite a lot of traction, argues that the modern iconography of witchcraft – namely pointed hats, cauldrons, broomsticks, and cats – can be traced to the commercial practices of, and patriarchal smear campaigns against, the female ale brewers of the late medieval and early modern periods. This is not a new contention, but one that has been circulating online with increasing frequency over the last few years.